CASA MUSEO RENZO SAVINI
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trittico fra case illustri

Thursday 14 March 2024 at 6.30pm

 

Genius loci and the invisible energy that inhabits it.New opportunities for places and people to meet

 

 

They intervene
Marco Tramonti, president of the Guerrino Tramonti Casa Museum Foundation and son of the artist
Milena Camposano Tramonti, curator of the Foundation
Laura Matilde Ruffoni, director of the Remo Brindisi House Museum
Benedetta Savini, director of the Renzo Savini House Museum

 

Alessandro Porri, art historian, tourist guide
Simona Lombardi, conservator and restorer University of Bologna
Claudia Cincotti, archaeologist

 

Participate
Emanuele Mari, councilor for tourism, culture and museum heritage of the Municipality of Comacchio

 

Moderate

Nicoletta Barberini Mengoli, collaborator of Il Resto del Carlino, expert in ancient majolica

 

 

After the meeting with Casa Museo Remo Brindisi at Casa Museo Renzo Savini last year, on the initiative of Benedetta Savini Marescotti, as part of the cultural programming for 2024,
Renzo Savini House Museum and Remo Brindisi House Museum present Guerrino Tramonti House Museum.

A strong connection between places united by a solid architectural expression, well placed between the 60s and 70s, created for the purpose of preserving, exhibiting and regenerating, where illustrious men have lived in the past and where historical, artistic and contemporary themes can be developed who contribute to the knowledge of the territory thanks to the resilience of those who live there today, in everyday life, like Laura Ruffoni or since they were born, like Benedetta Savini and Marco Tramonti.

The conversation will focus on the role played by the figures of Remo Brindisi, Renzo Savini, and Guerrino Tramonti in the art of the twentieth century and how this affects today's currents. and will tell the "virtuous story" of the saviors of art: the epochal recovery of 1800 works of art at the Guerrino Tramonti Museum after last May's flood in Faenza, thanks to the intervention of hundreds of volunteers who came from every region, when the prevention system, even at the national museum level, had not yet foreseen anything similar.